IT & CHAPTER TWO: A Tale of Two Tale’s

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*spoilers below*

There’s really no reason why this shouldn’t work, right? Granted, adapting such a lengthy book with such hard R material must have been a minor nightmare to get made. It’s no mistake the reboot had been trying to get off the ground since 2009. Minor miracles are part of getting any production to the screen but that they assembled such a talented group of actors and crew members, including cinematographer Chung Chung-hoon (Park Chan-wook’s go-to DP) for part one, is something worth commending.  The on-camera talent is not the problem here and yes, you’ve heard correct that Bill Hader as adult Richie Tozer is just terrific here. Accolades should also be tossed onto James Ransone, who gets to bounce off Hader as adult Eddie Kasbrak. All the actors are great and manage to play well together in spite of some truly terrible dramatic coverage. It’s here where the second half of this story sinks when it should soar. Because for a nearly three hour movie that is supposedly based around characters rediscovering their own history, it’s shockingly void of any actual character direction.Continue reading “IT & CHAPTER TWO: A Tale of Two Tale’s”

THE MANDALORIAN (2019) Season 1 Trailer & Screencaps

Personally? I’m tired of trying to cram the ever-expansive mythology of Star Wars into the confines of westerns, war films and traditional American myth-making. No chagrin towards the new films, which I have enjoyed or flat-out adored, but I yearn for the emphasis on “fantasy” in space that hasn’t been fully fledged since the prequel trilogy. However, if it needs to continue down that Western path… The Mandalorian looks like it’s got its heart and head in the right place.

Directed by Jon Favreau, Taika Waititi, Bryce Dallas Howard, Rick Famuyiwa, Deborah Chow and Dave Filoni (in his live-action directorial debut), The Mandalorian debuts November 12, 2019 on Disney+

Continue reading “THE MANDALORIAN (2019) Season 1 Trailer & Screencaps”

Hobbs and Shaw and Shaw vs. Black Superman

Let it be known that Hobbs & Shaw is a film that runs over two hours. I implore all movies to stop. Take a good hard look at your run-times. What could be taken out, trimmed, reassorted to make for a smoother viewing experience? As it turns out in Fast and Furious Presents: Hobbs & Shaw, a lot.Continue reading “Hobbs and Shaw and Shaw vs. Black Superman”

ANNIHILATION: States of Change

Change is a scary thing. Evolution in our brain’s synapses, physical growth or decay as part of our natural human state, succumbing to our surrounding environments or circumstances. Alex Garland’s Annihilation continues his career long fascination with closing people off from an outside world and turning them into something else entirely. This can be found most prominently in his directorial work, Ex Machina and his unofficial directing credit on Dredd, but it’s also a thematic through-line on his writing work from 28 Days Later to Sunshine. His writing puts protagonists with a problem through metaphorical meat-grinders with few moments of solace. A viciousness that permeates every line of dialogue until the closing frames. His protagonists look back on the experience as something horrifying but something that made them ultimately stronger. But Garland has found another angle in his directorial work. What if he put them through severe changes in Ex Machina and Annihilation, and it wasn’t clear whether or not coming out the other side was any better? What if our perception of change was fluid and our understanding of it was void?Continue reading “ANNIHILATION: States of Change”